Remembered Rooms
I have painted a series of rooms remembered from my childhood – I lived in four different houses, each with a particular character which still invades my dreams. The paintings started out from a spark of memory, but soon developed into parallel places - rooms of the...
Wall fresco part 3
Day three and four of painting and everything went to plan. I was starting to feel like real fresco painter, except for the fact I didn’t have assistants (or even slaves, as the Romans did). As I went on, I found I could tackle larger areas, so decided to...
Wall fresco part two
I decided to divide my fresco design into six giornate (painting days) as fresco has to be painted onto a damp plaster- and it dries quite quickly. I had already done a drawing of my garden and a quick colour sketch with egg tempera on gessoed paper, to get a feel for...
Wall fresco part one
Having made dozens of portable frescoes on panels, I thought it was high time I tackled an actual wall. Fresco is, after all, a mural technique. Brick is the best and my studio building is made of brick. Unfortunately, it means working outside, which is not the best...
Broken but not Beaten
I had just put the finishing touches onto my fresco self portrait. As the plaster had already dried, I used secco (pigment and casein binder) to correct a few offending features and to add a tasteful floral cardigan. I was pleased with the result. It would be just the...
Rome, Naples and Pompeii
. Last winter, I- a Scottish fresco painter, and Carey Mortimer- an English fresco painter, made a trip to Rome, Naples and Pompeii with the intention of examining Roman wall paintings. We are both fascinated by the fine polished technique of this particular era of...
Visual Poem
I write poetry from time to time. In many ways it is similar to painting: imagery develops through experimentation; taking bits out and adding new bits is crucial; form and rhythm create dynamic; the desire to have a final outcome that surprises me is what keeps me...
Sgraffito
Sgraffito is an old technique which involves scratching through a layer of lime plaster to reveal a different coloured layer below. It is a bit like scraperboard! It has been used since classical times and was popularised in the 15th and 16th centuries and again...
Studio rearrangement
I have been in my WASPS studio for twenty and a half years. I was in the first group of people to take a studio here in October 1995 when the building became available. I was immediately attracted to this studio because of its pitched roof, windows and skylight. It...
Man in Pink
For my latest test fresco, I am doing a figure from Piero della Francesca’s Legend of the True Cross. I chose it because I had a good sized copy of it in a library book. I love his pink outfit and how the folds look so complex. Julia talked me through how to build up...